Rare & Out of Print Books
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1. George Culley,
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2. Silva, John Evelyn
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3. Bram STOKER
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4. Observationum Medicinalium
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Compositions from the Works, Days, And Theogony of Hesiod;- by John Flaxman, William Blake;- Designed by John Flaxman, R.A. P.S.;- Published by Longman, Hurst, Rees, Orme, & Brown. London Jan 1. 1817;- - a very scarce volume of plates relating to Hesiod's Works and Days. Designed by John Flaxman and originally engraved by William Blake. With 37 plates included;-
Part two of two in one volume is Titled “ Compositions from the Tragedies of Aeschylus” Designed by John Flaxman, Engraved by Tommaso Piroli, and Frank Howard, with 36 engraved Plates;- Published in April 15th. 1831, by Mrs. Flaxman & Mrs. Maria Denman;- Maria Denman was a publisher/printer; printmaker; painter and Female draughtsman; The two Women published after John Flaxman’s death his unpublished drawings from there home at 74, Upper Norton Street, Fitzroy Square, London. Anne Flaxman was the wife of John Flaxman nee Anne Denman, Maria Denman, was John Flaxman’s sister-in-law. The Neo-classical sculptor John Flaxman was known throughout Europe for his innovative drawing style and for his sculptures. The style and design is Flaxman’s own invention, derived from Greek vases; superfluous detail is suppressed in favour of pure outline. A two in one volume of Large landscape format, oblong folio, approximately 10.5" x 17" inches, some foxing on all pages, which is to be expected considering the way paper was made at the time, otherwise the engravings are in very good condition. Marble end papers, full morocco red leather binding, with gilt & blind filet borders, blind decorations, roll borders outside a large tooled gilt border of shamrocks, acorns, oak leaves and foliage. Spine in panels, decorated in gilt bands. In good collectable condition.
In 1792, whilst on his seven-year sojourn in Italy, with his wife, Anne, John Flaxman was commissioned by the art collector and connoisseur Thomas Hope to produce 109 illustrations of Dante's "Divine Comedy" to be engraved. Concurrently Flaxman was commissioned and worked on illustrations for Homer's "Iliad" and "Odyssey" by other important Patrons. The latter works were by far both the most lucrative and significant for Flaxman's immediate status, as Hope commissioned the Dante illustrations for his own private consumption. He had the drawings bound as a volume and the engravings, by Tommaso Piroli, circulated only within a very limited group of his friends and acquaintances. By contrast the Homer illustrations were published publicly first in Italy in 1793, the "Iliad" in England in 1795 and new editions of the "Iliad" and "Odyssey", with an additional new eleven plates between them, in England in 1805. Hope later sold Tommaso Piroli's copper plates of the Dante engravings to the publisher Longman & Co in 1807 who then printed and publicly circulated an English edition. John Flaxman’s drawing shows the influence of early Italian art in the monumentality of the figures - Dante especially - and the schematic draperies. This drawing of the apparition of the blessed shows more lights and is more complex than the final engraving, which is much simplified. This composition engraved by Tommaso Piroli and published May 1st, 1807, London, from drawings in the possession of Thomas Hope.
Part two of two in one volume is Titled “ Compositions from the Tragedies of Aeschylus” Designed by John Flaxman, Engraved by Tommaso Piroli, and Frank Howard, with 36 engraved Plates;- Published in April 15th. 1831, by Mrs. Flaxman & Mrs. Maria Denman;- Maria Denman was a publisher/printer; printmaker; painter and Female draughtsman; The two Women published after John Flaxman’s death his unpublished drawings from there home at 74, Upper Norton Street, Fitzroy Square, London. Anne Flaxman was the wife of John Flaxman nee Anne Denman, Maria Denman, was John Flaxman’s sister-in-law. The Neo-classical sculptor John Flaxman was known throughout Europe for his innovative drawing style and for his sculptures. The style and design is Flaxman’s own invention, derived from Greek vases; superfluous detail is suppressed in favour of pure outline. A two in one volume of Large landscape format, oblong folio, approximately 10.5" x 17" inches, some foxing on all pages, which is to be expected considering the way paper was made at the time, otherwise the engravings are in very good condition. Marble end papers, full morocco red leather binding, with gilt & blind filet borders, blind decorations, roll borders outside a large tooled gilt border of shamrocks, acorns, oak leaves and foliage. Spine in panels, decorated in gilt bands. In good collectable condition.
In 1792, whilst on his seven-year sojourn in Italy, with his wife, Anne, John Flaxman was commissioned by the art collector and connoisseur Thomas Hope to produce 109 illustrations of Dante's "Divine Comedy" to be engraved. Concurrently Flaxman was commissioned and worked on illustrations for Homer's "Iliad" and "Odyssey" by other important Patrons. The latter works were by far both the most lucrative and significant for Flaxman's immediate status, as Hope commissioned the Dante illustrations for his own private consumption. He had the drawings bound as a volume and the engravings, by Tommaso Piroli, circulated only within a very limited group of his friends and acquaintances. By contrast the Homer illustrations were published publicly first in Italy in 1793, the "Iliad" in England in 1795 and new editions of the "Iliad" and "Odyssey", with an additional new eleven plates between them, in England in 1805. Hope later sold Tommaso Piroli's copper plates of the Dante engravings to the publisher Longman & Co in 1807 who then printed and publicly circulated an English edition. John Flaxman’s drawing shows the influence of early Italian art in the monumentality of the figures - Dante especially - and the schematic draperies. This drawing of the apparition of the blessed shows more lights and is more complex than the final engraving, which is much simplified. This composition engraved by Tommaso Piroli and published May 1st, 1807, London, from drawings in the possession of Thomas Hope.
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John Flaxman, William Blake;- “The Iliad of Homer”
Published in London by Longman, Hurst, Rees, & Orme, 1st. Edition in England of 1805. An Oblong folio. Engraved title and 75 full page outline engravings. Large landscape format, oblong folio, approximately 10.5" x 17" inches, some foxing on all pages, which is to be expected considering the way paper was made at the time, otherwise the engravings are in very good condition. Marble end papers, full morocco red leather binding, with gilt & blind filet borders, blind decorations, roll borders outside a large tooled gilt border of shamrocks, acorns, oak leaves and foliage. Spine in panels, decorated in gilt bands. In good collectable condition. Plates 1, 2, and 5 Engravings are by William Blake. Plate 1, Homer Invoking the Muse,. Plate 2, Minerva Repressing The Fury of Achilles, Plate 5, Thetis Entreating Jupiter to Honour Achilles;- Most copies of this book, have only 39 plates this 1st. edition has a 75 full plates, including Title-page. Designed by John Flaxman R.A.; Some Plates Engraved by Tommaso Piroli; William Blake; and James Parker;-
A revered artist in both his home country of Britain and continental Europe during the early 17th and late 18th centuries, John Flaxman was a prolific artist who created works of sculpture, illustrations and designs for the world-famous potter Josiah Wedgwood. The Neoclassical period occurred during the late 18th and early 19th century in England and continental Europe. It developed in a decorative and artistic sense as a reaction to the over-zealous decoration and often fussy compositions of the Rococo and Baroque styles of the first half of the 18th century. There was a heavy influence from Ancient Greco-Roman art which was entering England from Italy and Greece through archaeological excavations. Such material was commonly collected by members of the British upper classes or 'Grand Tourists', who travelled around the continent for both pleasure and education. Neoclassicism as an artistic style consisted of clean lines and uncomplicated designs, whilst sculptures copied the realistic nature of their Roman counterparts, producing beautifully ethereal figures in marble. John Flaxman used sparse composition, with a great deal of symmetry and balance. The almost two-dimensional aspect of the artist's illustrations and the stilted way in which objects far away are portrayed suggest that John Flaxman preferred working with objects close to the viewer. Almost like a snapshot in time, with the viewer witnessing the action first hand. John Flaxman was heavily influenced by a range of factors surrounding his upbringing and life in Britain at the turn of the 19th-century. They include the artistic reaction to the complicated Rococo style which dominated the early 18th century with the influx of Greek and Roman artefacts brought to Britain by the wealthy Grand Tourists of the age. Objects coming into Britain from Italy and Greece from archaeological excavations started to become highly collectable pieces for the British upper classes and Flaxman took inspiration from what was known as this "pure" form of art. In many cases, John Flaxman himself admits simply copying the compositions on ancient pottery. Certainly for some of his designs for Wedgwood, they were supposed to be close replicas of one-off pieces which most people could not get hold of. Red and black-figure-ware pottery from classical Greece certainly seem to be the basis of Flaxman's classic illustrations and Jasper-ware designs.
In 1792, whilst on his seven-year sojourn in Italy, with his wife, Anne, John Flaxman was commissioned by the art collector and connoisseur Thomas Hope to produce 109 illustrations of Dante's "Divine Comedy" to be engraved. Concurrently Flaxman was commissioned and worked on illustrations for Homer's "Iliad" and "Odyssey" by other important Patrons. The latter works were by far both the most lucrative and significant for Flaxman's immediate status, as Hope commissioned the Dante illustrations for his own private consumption. He had the drawings bound as a volume and the engravings, by Tommaso Piroli, circulated only within a very limited group of his friends and acquaintances. By contrast the Homer illustrations were published publicly first in Italy in 1793, the "Iliad" in England in 1795 and new editions of the "Iliad" and "Odyssey", with an additional new eleven plates between them, in England in 1805. Hope later sold Tommaso Piroli's copper plates of the Dante engravings to the publisher Longman & Co in 1807 who then printed and publicly circulated an English edition.
7. Boerhaave, Herman
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8. CULPEPER, Nicholas.
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9. The English Physician
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10. Tales of the Great St. Bernard, George Croly
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11. James Smith
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12. Henry DENNY
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13. Analise des Infiniment Petits Comprenant le Calcul Integral;-
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14. Robert Heath (1650) Poems and Songs
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15.Mémoires pour servir a L'Histoire de la Guerre entre la France et la Russie, en 1812; Avec un Atlas Militaire. Par un Officier de L'État-Major de L'Armée Francaise. 2 vols. (1. Contenant les Mémoires - 2. Contenant L'Atlas Militaire). by General Frederic-Guillaume Vaudoncourt. 1817
Price : $12,650 Buy now
Memoirs for a History of the War between France and Russia, in 1812; With Military Atlas. By an Officer of the General Staff of the French Army. 2 vols. (1 Containing Memoirs -. 2. Container Atlas Military, Battle plans some outlined in red of attacking Armies and opposing Armies).
Published in Paris;- by Barrois L’Aine, 1817;- 2 Volumes ;- Second Volume calls for 14 Maps; but this Scarce / Rare Volume has 15 Fold-out maps in perfect condition;- Bound in fine original antique parchment with old hand-written script to front and back of the binding, the hand-written notes on the binding parchment are in English, the name Brownlow, Bishop of Winchester at the time, a date of 1817 is on Volume 1, and George IV and the Bishop of Winchester, 1823 on Volume 2, the Russia Campaign Maps.
General Guillaume de Vaudoncourt was one of the best informed officers that ever had written books on Military Affairs. Guillaume de Vaudoncourt was born in Vienna, Austria of French Parents, in 1772; and educated in Berlin, in The Kingdom of Prussia . After this Military education, Guillaume de Vaudoncourt went and lived in France in 1786. He entered the French Army in 1791, and gradually rose to the grade of General. General Guillaume de Vaudoncourt served with great distinction in various Campaigns of Napoleon Bonaparte who made use of his talents including political affairs. General Guillaume de Vaudoncourt missions were various under Napoleon Bonaparte, whenever he was sent by his Emperor Napoleon Bonaparte, General Guillaume de Vaudoncourt behaved and served with great honour, and on elf the few Army Officers who abstained entirely from obtaining or enriching himself or family. Because of General Guillaume de Vaudoncourt training in Germany as a Military Officer , he was well received when he had to leave France after the restoration of the Bourbons. General Guillaume de Vaudoncourt had written numerous books, some of which appeared in London at the time. General Guillaume de Vaudoncourt most famous woks were “Histoire des Campagnes d’Annibal en Italie,” a 3 volume set with a few maps, published in Milan in Italy at the time. This work was very well received for his facts and research, what was extraordinary was General Guillaume de Vaudoncourt precise route Hannibal had taken was considered by many experts as masterly. General Guillaume de Vaudoncourt other extraordinary book was his first hand book on the campaign in Russia with General Bonaparte. “Mémoires pour servir a L’Histoire de la Guerre entre la France et la Russie, en 1812; Avec un Atlas Militaire. Par un Officier de L’État-Major de L’Armée Francaise. in 2 volumns, plus the campaign military maps used by General Bonaparte in Russia, considered one of the best military book’s with their original Maps on the campaign in Russia used by General Bonaparte and his Generals. The two Books are in French;- 1st. Edition;-Highly collectable with the campaign in Russia used by General Bonaparte and his Generals, the maps intact and very fine condition. Fine collectable set of 2 books;-
16. Justinian LAW
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17. Stellarum Compositarum Mensurae Micrometricae
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18.
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19. Delle Allvsioni, Imprese
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